Mark Mabry was feeling frustrated about his career as a photographer.

In fact, he wanted to quit.

Sure, the weddings and family portraits were paying the bills. But it was the commercial photography part of his work that was getting him down — the ad campaigns and other photo shoots that required him to portray less-than-wholesome subjects.

"How do you do that and stay upright?" Mabry remembers asking himself two years ago. "If I'm shooting unworthy subjects, then I'm unworthy."

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